![]() No point in reinventing the wheel, here’s what Wikipedia has to say… No one artist influenced me in these, rather an ancient style and a hard to describe ism pushed these explorations forward. The Influence: Confessions of a Plagiarist, sort of … ![]() I made sure the base was cleaned so it wouldn’t stick to the kiln-shelf. I rubbed on a black stain onto the white clay body and painted over it with a celadon glaze. When dry, I used a brush to paint the rim with a thick coat of iron oxide stain. ![]() Note: Because of the possibility of cross contamination, I kept yogurt quarts full of different glazes, stains, and engobes, that I would use for these pieces only.įirst, I poured in a clear glaze and over the edge. ![]() While still wet, I combined the separate clay bodies, then I set it aside to dry slowly under paper and plastic, before sending it to be bisqued. The Technique: How I did this awesomeness !Ĭombining a slab-building (on the red terracotta) and stick-hit-forming (on the white gorged clay) method to make the actual bowl, I worked it wet and fast. ![]()
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